Stage is a participatory installation and sound work that draws on the history of the microphone as a tool for protest and public oratory, while recalling the metonymic references to microphones in hip-hop lyrics from the 1980s to the present.

Slow Factory transforms Homeroom into a site of collective learning and co-creation at the intersection of climate justice, social equity, and regenerative design through their evolving presentation, The Revolution is a School. The presentation features video, printed ephemera, installation, and a workshop series, all of which invite interaction and collaboration from visitors.

The first museum survey dedicated to the work of Deana Lawson (b. 1979, Rochester, NY), this exhibition presents the work of a singular voice in photography today. For more than 15 years, Lawson has been exploring and challenging conventional representations of Black life through photography, drawing on a wide spectrum of photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and appropriated images.

On the final day of Greater New York, artist collective Shanzhai Lyric will present a poetry reading and deinstallation of their work, Incomplete Poem (2015-ongoing), installed in the lobby of MoMA PS1.