Stage is a participatory installation and sound work that draws on the history of the microphone as a tool for protest and public oratory, while recalling the metonymic references to microphones in hip-hop lyrics from the 1980s to the present.

From the very outset of her career in the 1950s, Niki de Saint Phalle (American and French, 1930–2002) defied artistic conventions, creating works that were overtly feminist, performative, collaborative, and monumental. Her first major US exhibition, Niki de Saint Phalle: Structures for Life features over 200 works that highlight Saint Phalle’s interdisciplinary approach and engagement with pressing social issues. Innovation was key to Saint Phalle’s process: from beginning to end, she envisioned new ways of inhabiting the world.

For its inaugural activation, Homeroom premiered a new zine, Harm Reduction is Not a Metaphor, produced in collaboration with both organizations. The zine highlighted conservations on 21st century harm reduction practices.