Stage is a participatory installation and sound work that draws on the history of the microphone as a tool for protest and public oratory, while recalling the metonymic references to microphones in hip-hop lyrics from the 1980s to the present.

Greater New York, MoMA PS1’s signature survey of artists living and working in the New York City area, returns for its fifth edition. Delayed one year due to the COVID-19 pandemic, this iteration offers an intimate portrayal of New York City, forging connections between often under-examined histories of art-making in the city.

Slow Factory transforms Homeroom into a site of collective learning and co-creation at the intersection of climate justice, social equity, and regenerative design through their evolving presentation, The Revolution is a School. The presentation features video, printed ephemera, installation, and a workshop series, all of which invite interaction and collaboration from visitors.

Slow Factory hosted a series of workshops and conversations fostering social and climate justice learning as part of Homeroom: The Revolution is a School. Maya Moumne, co-founder of graphic design studio, Studio Safar, and it’s accompanying magazine Journal Safar, as well as the editor-in-chief of Al Hayya Magazine, hosted a virtual lecture investigating the decolonization of visual culture in response to decades of European and North American hegemony. Design is inherently political: it shapes our cities, our homes, bodies, and minds. It curates, connects, arranges, and defines. And, perhaps above all, it carries the power to shape our responses to challenges big and small, local and global, short and long term.