Stage is a participatory installation and sound work that draws on the history of the microphone as a tool for protest and public oratory, while recalling the metonymic references to microphones in hip-hop lyrics from the 1980s to the present.

Greater New York, MoMA PS1’s signature survey of artists living and working in the New York City area, returns for its fifth edition. Delayed one year due to the COVID-19 pandemic, this iteration offers an intimate portrayal of New York City, forging connections between often under-examined histories of art-making in the city.

Slow Factory transforms Homeroom into a site of collective learning and co-creation at the intersection of climate justice, social equity, and regenerative design through their evolving presentation, The Revolution is a School. The presentation features video, printed ephemera, installation, and a workshop series, all of which invite interaction and collaboration from visitors.

On the occasion of Diane Burns’s inclusion in Greater New York, poet Nicole Wallace organizes a day of reflection on Burns’s work and legacy. Burns wrote poetry and produced drawings, often critiquing stereotypes of Native Americans and addressing the complexities of urban life. The program brings together a group of Indigenous writers and artists to dig into Burns’s creative practice and generate new considerations and interpretations. The afternoon will include a series of presentations of new textual material by Lou Cornum, Sky Hopinka, and Maria Hupfield, followed by a conversation moderated by Wallace.