Jumana Manna
Break, Take, Erase, Tally
- On View
- Exhibition
Jumana Manna. Old Bread (detail). 2021. Ceramics, plastic bags, galvanized metal.
jackie sumell and Mina Stone in Conversation
- Video
- Interview
Video by Nora Rodriguez and Noel Woodford
"Plants were used to map significant places along the underground railroad, and okra (ngombo), whose seeds were braided into the hair of the enslaved as they struggled to survive the middle passage, were then planted into colonized soil. The bright yellow ngombo flowers became beacons of hope to other enslaved individuals. It is said that the enslaved could remember their homeland through the flowers that waved to them on foreign soil."
— jackie sumell
jackie sumell's Growing Abolition, a collaboration with interns from the Lower East Side Girls Club, is an opportunity to learn from plants about strategies of resistance, coalition, and healing. jackie sat down with Mina Stone, chef and owner of Mina's at MoMA PS1, to talk about one particularly potent teacher: okra!
Continue the conversation on your plate: starting tomorrow, for a limited time only, Mina's will be serving Bamies—slow cooked okra with tomatoes, onions and chilies—inspired by the work of Growing Abolition. If you can't make it to Mina's, her recipe is available for you to cook at home below!
"Plants were used to map significant places along the underground railroad, and okra (ngombo), whose seeds were braided into the hair of the enslaved as they struggled to survive the middle passage, were then planted into colonized soil. The bright yellow ngombo flowers became beacons of hope to other enslaved individuals. It is said that the enslaved could remember their homeland through the flowers that waved to them on foreign soil."
— jackie sumell
jackie sumell's Growing Abolition, a collaboration with interns from the Lower East Side Girls Club, is an opportunity to learn from plants about strategies of resistance, coalition, and healing. jackie sat down with Mina Stone, chef and owner of Mina's at MoMA PS1, to talk about one particularly potent teacher: okra!
Continue the conversation on your plate: starting tomorrow, for a limited time only, Mina's will be serving Bamies—slow cooked okra with tomatoes, onions and chilies—inspired by the work of Growing Abolition. If you can't make it to Mina's, her recipe is available for you to cook at home below!
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Related Program
Growing Abolition
Related Program
Life Between Buildings
Frieda Toranzo Jaeger
Autonomous Drive
- On View
- Exhibition
Frieda Toranzo Jaeger. Hope The Air Conditioning Is On While Facing Global Warming (part 1). 2017. Oil on canvas. 87 7/8 x 176 inches (223 x 447 cm)
Artists Make New York
Layqa Nuna Yawar
- Video
Video: Noel Woodford, Eva Cruz, Nora Rodriguez
New Yorkers know: being NOT from NY is sometimes deeply NY. We met Layqa Nuna Yawar, whose new collaborative mural After the Fire is now on view on MoMA PS1's exterior walls, in New Jersey with a perfect view of the NYC skyline to talk about what it means to work from the outside:
"Being on the periphery, being on the outside...I think it's a blessing, actually. It's another circle to think about my indigeneity not being present, growing up under colonialism...I think that's why I enjoy New Jersey a lot. Because it's a representation of that...Art doesn't happen in the center. It happens in the peripheries."
Artists Make New York, no matter where they start from.
Related Program
After the Fire
Related Program
Courtyard Coalition
Danielle de Jesus
In Conversation with Gardeners Jose Alicea and Gina Rosario
- Audio
- Interview
Danielle de Jesus. Jose and Gina. 2022. Acrylic on U.S. currency. 7 13/16 × 6 1/8" (19.9 × 15.6 cm).
Courtesy the artist and Calderón, New YorkLa Finca Garden is easy to miss—it’s located on a narrow lot on a commercial street in Bushwick. But it was one of the first stops for artist Danielle de Jesus, whose work is featured in Life Between Buildings, after she returned to the neighborhood where she grew up. Jose, the head gardener at La Finca, remembers meeting Danielle: “She got out of this taxi and said: ‘Just leave me in front of that little yard because I want to see if it's still there.’ And I see this young lady come crossing the street with that big smile on her face.” Danielle created a portrait of Jose and his wife Gina on this dollar bill, one of many of her explorations of green spaces in Bushwick.
Danielle, Jose, and Gina sat down to discuss the garden as a site of communion, Bushwick's Nuyorican culture, and a history of the Puerto Rican flag you might not know. Hear their conversation below.
Related Program
Life Between Buildings
Umar Rashid
Ancien Regime Change 4, 5, and 6
- On View
- Exhibition
Umar Rashid, The gods are indifferent but occasionally rapture the souls of humanity to hold for later judgment. Naval siege of the Fort Zeelandia expansion project by indigenous, and Frenglish raiders. The primary target escapes in a Ferrari whilst condemning everyone else to bombardment. Or, mooning in a canoe while Black and White Jesus look on in awe and terror. 2022. Acrylic and spray paint on canvas. 60 x 60 x 1 1/2 inches (152.4 x 152.4 x 3.8 centimeters). Photo: Josh Schaedel
The Innocence Project
Commemorating 30 Years of Service
- Video
We're excited to share video from a powerful evening hosted in May 2022 with the Innocence Project. Above, watch the full event celebrating the organization's 30 years of service and the publication of an expanded 20th anniversary edition of Taryn Simon’s The Innocents, which documents the stories of individuals who were incarcerated for violent crimes they did not commit. The Innocents was first published in 2003 and was exhibited at MoMA PS1 that same year. An excerpt from the book is now available to read on MoMA's website.
Artist Mary Baxter moderated a conversation with Peter Neufeld, Barry Scheck, and Marvin Anderson about the work of the Innocence Project, the history and impact of Simon's The Innocents, the malleability and unreliability of memory, and the misuse of photography in criminal investigations. Then, Herman Atkins, Calvin Johnson, Chris Ochoa, and Tyra Patterson—four individuals whose wrongful convictions are detailed in Taryn Simon's The Innocents—shared live, unscripted stories about what they see—some more than 20 years later—when they look at the photos in which they’re featured from The Innocents. In addition to video of the full evening, you can find shorter excerpts of their stories below.
The Innocence Project is an independent non-profit organization that fights for fair, compassionate, and equitable systems of justice for everyone. Their work to free the innocent and prevent wrongful convictions is guided by science and grounded in anti-racism. MoMA PS1 has had a longstanding relationship with the Innocence Project since Taryn Simon’s exhibition The Innocents in 2003.
Stair Procession
Take the Stairs with William Kentridge
- Audio
William Kentridge. Stair Procession. 2000.
Noel WoodfordArtists at MoMA PS1 have never confined themselves to the galleries.
William Kentridge’s Stair Procession marches up two intertwined staircases at PS1. They’re separated by a chain-link barrier, a hold over from when PS1 was a school and had separate staircases for boys and girls (!). 🔗
Stair Procession is just one of many artist interventions woven into PS1’s architecture, a “second skin” inscribed on the campus over time. Take the stairs with two members of our Visitor Engagement team in this audio track. Plus, tag along for a gallery talk with a Visitor Engagement team member next time you're in the building to explore more artist interventions. Gallery talk times are posted every day in the lobby.
Related Program
Artist Interventions
Life Between Buildings
- On View
- Exhibition
Becky Howland. Tied Grass. 1977. Site-specific installation on traffic island bounded by Franklin Street, Varick Street, and West Broadway
Courtesy the artist. Photo: Becky Howland.